Por otro lado english free#

If we were to draw a chronology for the changing landscape of Latin American translations into English before the вЂњBoom,вЂќ the picture would be one of dearth. DarГo, however, lived long before those auspicious decades. The so-called Boom of Spanish American literature in English came to prominence in the 1960s and found its culmination in Gregory RabassaвЂ™s translation of GarcГa MГЎrquezвЂ™s Cien aГ±os de soledadВ (1967), rendered in English as One Hundred Years of Solitude(1970). To answer the question of DarГoвЂ™s obscurity one must look at the history of Spanish American literature and its translation to English. It soon became clear that the translation of literature is only superficially about language cultural and historical differences between literary cultures bear on it more heavily. I realized that other Spanish-language poets (such as Neruda or Lorca) had often been poorly translated as well, and yet were relatively well-known to Anglophone readers of poetry. The aversion I felt upon reading those translations for the first time is what led me to my hypothesis mentioned above, which turned out to be simplistic.ДЄbout a year or so into my Ph.D., after having read as much as I could about or by DarГo, I moved on to reading about translation. When thatвЂ™s not the case, translators have indeed found a way of rendering his poems into rhyme, but usually at the expense of almost everything else in the poems.

Por otro lado english free#

Most of the translations of his work into English, however, are either scholarly word-for-word renderings or translations into literalist free verse. His Spanish is so melodious that his best-known poems have a mnemonic quality to them thanks to their rhythm and rhyme. DarГo is extremely difficult to translate. My initial hypothesis was simple enough: itвЂ™s because of the translations. Over the past three years, I have spent long afternoons poring over 19th- and 20th-century books looking for an answer to the question of why and how a poet of such enormous importance in one language is almost completely unknown in another. thesis, which IвЂ™m due to finish in the next couple of months. Admittedly, the specific irony of DarГoвЂ™s obscurity in English is what prompted the subject of my Ph.D. What we often find in English-language anthologies of literatures from around the world does not always correspond to what those literatures say about themselves in their own languages. World Literature, as a rubric conceived in English, is riddled with such small ironies. Photo by Selena del Carmen Baez Hernandez